It was decent, I suppose. Chris Elliot is probably the weirdest dude of all time, on and off the camera.
I'd say that honor goes to my man Crispin Glover.
"he put a roach right on his anus!"
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It was decent, I suppose. Chris Elliot is probably the weirdest dude of all time, on and off the camera.
Scary Movie - 0/10
First time I've actually seen this. I remember being 10 years old and not being allowed to see this. Everyone said it was hilarious. I guess it's funny to 10 year old kids
I didn't laugh once, and I've seen all the movies that were being spoofed.
By far the dumbest movie I've ever seen. I'm sure if I watched another one of the spoof movies, they'd be equal, probably worse.
BIG FAN
This one slipped under my radar apparently.. Nice "Obsessed NFL fan" flick with Patton Oswalt who plays a die-hard as they come Giants fan who gets beat up by his favorite player and the dilemma he faces subsequently. Nice little story with a great ending... Probably the one movie I'll recommend that I think everyone on this board will appreciate..
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That movie surprised me. It was really dark but hilarious.
On a side note, I'd say that Antichrist was Von Trier's best film to date. I hate Lars Von Trier but I thought the cinematography was amazing. I didn't care too much for the castration, though.
I agree on both.. Don't know why but anytime I see a movie called Antichrist starring Willem Dafoe I just assume he's the antichrist....
a 9 for a HP flick?
And you're how old?
Black Swan - And thus continues the trend of Aronofsky's fascination with the themes of obsession and what it can do to our lives. Thought to be a companion piece to his highly-regarded The Wrestler, it is in fact a much different piece (and one I would argue infinitely better than).
I've always liked Aronofsky, never really loved him. However, I absolutely loved this film. It is a haunting piece, both in scope and it's execution, especially with the performance of Portman. Portman is an actress who I've always thought had talent, but for the most part, only showcased a bit of it throughout her career. Let me be clear - this is a career defining performance. The only one I can truly compare it to is Mia Farrow in Rosemary's Baby (although they are different beasts). The slow descent into madness is something to behold - it isn't cliched, and it's totally visceral. As I said earlier, it's still haunting me hours later.
The main components of this film are truly brilliant. Secondary performances by Cassell, Kunis, Hershey all deliver fantastic performances, each one understanding exactly what they must bring to Nina's (Portman) world. The direction is intense at times - we are meant to be brought into the terror of what this young woman is going through, and it's done expertly. The shots of the actual ballet work are stunning at times (and I'm not a ballet fan), with a score that meshes well with Tchaikovsky's compositions.
If you are a fan of psychological horror, stories of obsession and what perfection in art can to do a person, or are just curious to see how a director could make the world of ballet appear so damn engrossing, go see this picture. It is simply the best all year.
A+